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The Dances of Gor
- Belt Dance - dancer is mentioned as being in a
delicate vest of chains and jewels with shimmering metal droplets
attached. Performed with a Warrior. Female writhes on he furs and at his
feet, moving as though being struck with a whip. She never stands. Goal
is never to move above his belt.
- Brand Dance
- Chain Dance
- Contrition Dance of Turia - rather fixed form dance
of placation. Usually taught to a girl in slave training.
- Dance of Six Thongs - six lengths of binding
fibers, like slave snares, at each wrist and ankle and two about the
waist. Men hold the ends of the slave fibers. The slave dances as if she
does not realize she is bound. Hands and feet are bound at the end.
- Dance of the Tuchuk Slave Girl - an independent
dance
- general - there are hate dances, rebellion dances,
display dances, need dances, love and submission dances. They conclude,
inevitably, with the ultimate surrender of a girl to her master as a love
slave.
- Hunter's Catch - implied as a dance where the slave
is clothed in netting.
- Love Dance of the Newly Collared Slave Girl - has
many variations but the common theme is that the girl dances her joy that
she will soon lie in the arms of a strong master.
- Need Dance - five phases. First, slave feigns
indifference to the presence of men. Second, she shows she begins to feel
sexuality, yet is struggling against it. Towards the end of this phase it
is clear that she feels she may not be of sufficient interest to men.
Third, in a ladylike fashion she acknowledges herself defeated in her
attempt to conceal her sexuality. Then, delicately, she acknowledges her
sexual needs. Fourth, she dances her need shamelessly. She begs for
sexual satisfaction. This phase is called the Heat of the Collared She-Sleen.
Fifth, she is overcome with sexual desire and she clearly manifests that
she is utterly a female slave. Seldom on her feet during this phase, she
is sitting, rolling, crawling, bending backwards. She whimpers, moans,
cries out, pleads for rape, writhes. This phase is called the Heat of the
Slave Girl.
- Oar Dance - not a dance at all but an athletic
feat. The Free Person leaps from moving oar to moving oar, proceeding
from the oars nearest the stem on the port side to the stern, then leaping
back onto the deck at the stern quarter and leaping again on the oars this
time on the starboard side, and proceeding from the oar nearest the stern
to that nearest the stem and then back onto the ship. done by the men of
the North.
- parade of slaves - in paga taverns and brothels or
at a feast of a wealthy man. Each slave presents herself and her charms
in turn, often to music.
- Sa-eela - one of the most moving, deeply rhythmic
and erotic dances on Gor. Belongs to a genre of dances commonly known as
the Lure Dances of the Love Starved Slave girl. Usually performed in the
nude. She writhes as thought sexually frustrated. She prepares for an
imaginary master. Crosses her wrists, and moves them as though they have
been bound. Extends them as though straps on them have been pulled taut.
Led on her tether from the pen, head high, a bound slave. At the
imaginary gate her wrists separate and she is still confined. Retreats to
center of pen and falls to her knees, covering head with hands and weeps.
Third phase of dance hears a sound in corridor beyond gate. Pretend men
are there and they have come for her. Puts head up, turns away, feigns
disdain. She started looks about as they turn away. She throws herself
to belly on floor, calling to them, lifting her head, holding hand out
piteously. She pleads to be considered. She shrinks back, lifting
herself to the palms of her hands, frightened, that gate has been
opened. Kneels in position of pleasure slave. Twice appears struck with
whip. She seems hauled to her feet, wrists bound behind her back. Body
and head bent far over. Head twists as if man's hand in her hair. With
small hurried steps she describes a wide circle on tiles. Then thrown to
knees and then her side. The audience is of course the masters before whom
slave is to perform. Final phase begins when the girl, naked but for the
collar, attempts to arouse interest of master. Display phase is when she
calls attention to various aspects of her beauty.
- Tahari Dancing Chains - various types. One is oval
and a collar. The chain fastens at the sides of the top of the oval,
where there are two wrist rings. Oval is pulled inward and wrists and
ankle rings fastened on slave. Throat is locked in dancing collar, which
has under the chin an open snap ring. With left hand the oval is
gathered together so the two strands of chain lie in the palm of the left
hand, whence lifted they are placed inside snap ring. Snap ring snaps
shut and is locked. Two strands of chain flow freely in snap ring. Yard
of chain across from wrist to wrist, and 18 inches between ankles.
- Tile Dance - commonly performed on red tiles,
usually beneath the slave ring of the master's couch. Girl performs dance
on her back, stomach and sides. Usually neck is chained to the slave
ring. Dance signifies the restlessness, misery, of a love-starved girl.
Premise of the dance is that a girl moves in her need as if she is
completely aone. Supposedly the master surprises her and she attempts to
suppress the torment of her needs. Failing this, she surrenders her pride
in final shred, and writhes openly before Master, begging him to touch
her.
- Virgin Dance - 3 senses of a "virgin dance"
- a kind of dance appropriate for virgins
- danced by a virgin usually just before the loss of virginity
- a role dance, telling the story of a virgin about to lose her virginity,
typically danced by an experienced slave
- Whip Dance
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Revised: December 15, 2014
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